is described on a
separate page
2nd Street has two tracks and two wall platforms with
two toned gray and rose colored pavers. There is artwork on the windscreen
and station grounds. The art is a space theme: "You are My Solar System." It
features the sun and planets with children standing on the planets. The
artist is Marina Tempkjn and was dated 2001. It features etched glass sheets
in addition to the "planets" with children standing on them.
9th Street/ Congress Street also has two tracks and
two wall platforms. This station is the most majestic on the system due to
the station having access to both the lower and upper side of the Palisades
and the necessity of elevators to the top- some100 feet high! The North exit
leads to the bottom of the Palisades- 9th Street and Monroe
Street. The South exit leads to the top of the Palisades at Congress Street
and Paterson Plank Road. The station also has locked emergency stairs to the
top exit. North of this station is a three tracks section called "Three
Roads" and will allow express service once service extends further north.
The platform has gray paver blocks.
Art work consist of "glass bubbles": on the floor of the upper mezzanine.
The area is industrial on the lower level and residential on the upper
level.
Lincoln Harbor has two tracks
and a brick island platform. No art was found.
Port Imperial has two tracks and a wide island platform. The
highlight here is a million dollar view of the new York City Skyline as seen
across Port Imperial Blvd. the main street. The ferry terminal is still
under construction. When opened on 10/29/2005, it was served on weekends
only till the Bergenline Avenue and Tonnelle Avenue Stations opened on
2/25/2006.
Bergenline Avenue is in a tunnel and has two tracks and an
island platform which somewhat resemblance to Exchange Place on the PATH in
that there is a center curtain wall with what appears to be fire doors which
can be closed. There are fossils on the ceiling including neon accents. The
curtain wall has benches and windows to see through to the other track. The
high speed elevators are at the north end and lead to the street level plaza
still under construction. the East wall has a dinosaur and the ceiling
has a Mercury Space Capsule. This is the deepest station in the HBLR system
and the only station underground. Your webmaster had the honor of getting an
e-mail from the artist explaining her artwork. The text is included below:
"My project is entitled "BETWEEN MANHATTAN AND MEADOWLANDS." It consists
of 4 murals in porcelain enamel on steel.
1. BENEATH THE PALISADE (on the clock tower) (2, 3, & 4 on vent stacks)
2. TO THE POINT
3. NIGHT BUS
4. ACROSS THE STREET
At this writing only the mural on the clock tower may be seen. The three
others are installed, but covered in Masonite for protection as construction
continues.
I made numerous visits to the site for over five years to characterize the
spirit of this community. I made dozens of painted studies to develop the
image concepts that would become subject of the paintings that are today
four porcelain enamel murals.
I hope viewers will recognize their world in the art, and benefit from a
collective community pride.
MARIA MIJARES"
Your webmaster has received an e-mail from Maria describing the artwork:
BERGENLINE AVENUE STATION PLAZA
"BETWEEN MANHATTAN AND MEADOWLANDS"
"WE ARE TRANSPORTED"
©MARIA MIJARES
Peel back the sky to the bright brief dusk, then get on the train to
connect all your points and stars. Inside the tunnel, there is light too.
From the unique position," BETWEEN MANHATTAN AND MEADOWLANDS," two
spectacular panoramas appear and disappear, as blocked vistas peak out in
slivers down side streets.
Hudson-Bergen Light Rail Transit System’s state of the art, Bergenline
Avenue Station, is something of an architectural wonder. Created by
dynamiting through the palisade on a city block in the most populated square
mile in the country, this light rail station platform is located 160 feet—an
incredible seventeen stories—below ground! Three express elevators
access the platform.
At street-level, orientation was my primary objective. I made numerous
visits to the site for over five years hoping to characterize the spirit of
this community. The people of the region are accustomed to a full
concentrate of stimulating input. Vibrant Bergenline Avenue—established,
well-orchestrated—is the picture of the true New America. At the site I met
Cubans, Mexicans, Argentineans, Puerto Ricans, Arabs and Turks. A clear
concern was the preservation of individual identity, while participating in,
and benefiting from, a collective community pride. With this complex
tapestry of culture in mind, I took my part to highlight the existing poetry
and preserve realities.
I made dozens of painted studies to develop the concepts that would become
subject of the paintings—to be transferred to four large-scale porcelain
enamel murals. Starting with actual local imagery, I polished the rough
edges of reality to fit inside a context. Refined multiple realities open
the way to narrative paths so accessible and familiar that anyone can
recognize their world in the artwork, and travel as protagonist in their own
drama.
Four porcelain enamel on steel murals were created : "Beneath the Palisade,"
comprised of eight panels, is attached to the clock tower facing Bergenline
Avenue. "To the Point," "Night Bus," and "Across the Street" are 10’6" x 11’
each comprised of six panels, attached to three vent stacks, approximately
50’ apart. All four murals are top and bottom lit.
NJ TRANSIT spokesman Dan Stessel stated to the Courier News (February 14,
2006, front page), "We’re taking what would normally be a vent stack for the
flow of air in the tunnel and making it a canvas." Adding that, my work is
considered by the transit agency to be "a great addition to the Union City
and West New York communities."
FOUR MURALS
CLOCK TOWER MARQUEE MURAL:
Porcelain enamel on steel
8’ x 13’6"
BENEATH THE PALISADE
©2005
Swirling pattern of the historic rock facing the river at the tunnel
opening, has since been cemented over.
The light rail is ‘under ground.’ Distant, closer, and speeding by.
(Captured jumping off trains in the tunnels of the Newark Subway with the
garage foreman wearing hard hats and orange vests.)
STREET-LEVEL MURALS:
1
TO THE POINT
Porcelain enamel on steel
11’ x 10’6"
©2005
The idea was to include something nearly actual size—the big bus to walk
right up to, and a vaster vista to draw the viewer into the panorama. I
wanted this mural to reference the Manhattan skyline segment for
orientation, but avoid skyline cliché. The yellow street-line as a
true-in-life design element, "arrows" the eye upward. Most of the detailed
painting work is at eye-level to be seen at close range. With distance, the
depicted scene comfortably lives beside the real---the landscape around the
corner.
2
NIGHT BUS
Porcelain enamel on steel
11’ x 10’6"
©2005
A splashy, color-popping night scene on Bergenline Avenue is seen
through the donut shop window. Enjambment to the first mural,
the bus passes.
3
ACROSS THE STREET
Porcelain enamel on steel
11’ x 10’6"
©2005
Bergenline Avenue is represented with street lanterns, the ‘Welcome to Union
City’ banner, an unlit star. The street scene shown in the center mural by
night is here detailed by day. The building across from the station anchors
the right side. Cultural contrast is quietly referenced with two figures—
the bicycle rider, large
in the foreground wearing a do-rag, and a Marine crossing from the
recruit center.
Reality is 'peeled back' in a trompe l’oeil device to reveal a view of the
Meadowlands for orientation, framed by indigenous quaking aspens.
Maria Mijares
Tonnelle Avenue has two tracks and an island platform.
It is located in a cut and features a loop at the north end which diverges
from the main tracks just north of the station. For now the main tracks end
at a bump block. If the lien is extended the bump block would need to be
addressed. Latest talk is for a diesel Multiple unit like the River Line
Line Report Card
HBLR
Tonnelle Avenue to Hoboken