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______________________
DITMARS
BOULEVARD
Ditmars Boulevard Astoria
(on 31st Street
between Ditmars Boulevard and 23rd Avenue)
opened 7/19/1917 and has two tracks and an island
platform. Patriotic art is found outside the system
under the Hellgate Viaduct which passes over the station
perpendicularly. Canopy covers much of the station, even
under the Hellgate Viaduct. The canopy is wood with
transite and has a wood mezzanine. The benches are
enclosed on three sides with windscreen Light fixtures
still have their diffuser covers. At first appearance it
seems to be in great condition but closer observation
revealed areas needing TLC. The unusual Mezzanine has
twin fare controls with separate North and South sets of
turnstiles .The line curves and is over
31st street.
________________________
ASTORIA
BOULEVARD
HOYT AVENUE
Astoria Boulevard/ Hoyt Avenue
(on 31st
Street with exits to Hoyt Avenue North and South and
Astoria Boulevard North and South. Hoyt Avenue is the
side by the RFK (Robert F Kennedy) Triborough Bridge
opened 7/19/1917 and has three tracks and two island
platforms with wooden canopies with transite and wood
mezzanines. The southbound platform bears the tertiary
name of Columbus Square. The Northbound platform’s
benches are surrounded by low windscreen on three sides.
The southbound platform has an enclosed waiting area.
This station affords a view of the Hellgate Bridge and
viaduct to the north and Triborough Bridge to the west
and Grand Central Parkway underneath. The bridge and
Grand Central Parkway forced a change in the station.
The overpass to the far north exit was an addition
because of the bridge’s construction in 1936. The
parkway forced relocation of the Hoyt Avenue/ Astoria
Boulevard North exit stairways since the parkway was too
wide for the original stairways. The southern stairways
are original. The west exit to the Mezzanine and
crossunder needs maintenance- metal patches were
observed In the canopy over the stairs. The Mezzanine
has an unusual configuration with separate entries with
crossunders from both North and South stairs from the
platforms.
________________________
30
AVENUE
GRAND AVENUE
30th Avenue / Grand Avenue
(on 31st
Street at 30th Avenue) opened 7/19/1917 and
has three tracks and two wall platforms with wooden
canopies with transite and wood mezzanines. The south
end of both platforms are narrowed due to windscreens
being added. The exit is near the north end. There are
dual fare control areas and at first appearance give the
impression of no crossunder, but there is a crossunder
behind the booth
_____________
BROADWAY
Broadway (on 31st Street at
Broadway) opened 7/19/1917 and has three tracks and two
wall platforms with wooden canopies with transite and
wood mezzanines. There is no windscreen on the north
bound platform however southbound does have windscreen.
The Mezzanine is configured like 30th avenue
.Exit is north of center.
_____________________
36
AVENUE
WASHINGTON
AVENUE
36th Avenue Washington Avenue (on 31st
Street at 36th Avenue) opened 7/19/1917 and
has three tracks and two wall platforms with wooden
canopies with transite and wood mezzanines. the south
end has no windscreen on the northbound platform but the
north end has windscreen as does the southbound platform
Exit is near the south end and there is a crossunder.
________________
39
AVENUE
BEEBE AVENUE
39th Avenue Beebe Avenue (on 31st
Street at 39th Avenue) opened 7/19/1917 and
has three tracks and two wall platforms with wooden
canopies with transite and wood mezzanines. Windscreen
is at both ends replacing the earlier low railings. The
south end has a nice view of the Citigroup complex.
There is a crossunder.
________________________
QUEENSBORO
PLAZA
Queensboro Plaza (Bridge Plaza North and South
between Crescent and 27th Streets, near
Queensboro Bridge entrance to lower level) IRT section
opened 11/5/1916, BMT section opened 1917, north
Platforms demolished in late 1949, Last renovated in
2003. This station has a lot of history in it; it is a 100%
pure dual contracts station as the only station in the
entire NYC subway system to have both IRT #7
Flushing Line and BMT N
and W trains operating on the same platforms. Because of
the width of IRT cars being smaller than BMT/IND cars,
the N and W trains are prohibited from switching over to
the Flushing Line from Manhattan, even in emergency
situations. The current layout is 2 tracks on each
island platform, with 2 levels. The #7
line always uses the south tracks, while the
N/W trains use the
north tracks on both levels. The lower level is for
Manhattan-bound trains, while the Upper level is for
Flushing/Astoria (outbound) trains. Recently, the
station was renovated by NYCT’s in-house Maintenance of
Way forces, as opposed of having an outside contractor
perform the job. This site endorses in-house jobs as a
means of saving money, using skilled workers already
employed by NYCT, and in most cases, the stations are
completed on or ahead of the targeted completion date.
When the station was fully completed in 1917, there were
actually 8 tracks, and 4 island platforms. Standing on
the upper level, closest to the Queensboro Bridge side,
you can see the skeletal remains of the 2 north
platforms that were side-by-side in the same layout as
the current and surviving south platforms, it was
abandoned in 1949 and all the BMT operations were
shifted to the current south platform. The original
layout was to use the south platform and 4 tracks for
IRT and connections to the 2nd Avenue el..
IRT trains ran via. either the Steinway Tube (today’s #7
line), or over the Queensboro Bridge, turn at 2nd
Ave/59th St, where it connected with the
southbound 2nd Ave el. . Either track had
double X crossovers so there was plenty of operational flexibility. At the far west end of the Upper
Level, where the #7
curves into the station, you can see the skeletal
girders sticking out and pointing to the Upper Level
roadway of the bridge. The abandoned north platform was
used for primarily BMT Broadway trains and 8 track
configurations looked like this (upper level/lower level
as it ran): From north to south: BMT North Platform, Track #1:
Astoria/60th St tube BMT North Platform Track
#2 Corona/60th St tube. IRT south platform:
Track #1 2nd Ave el /Corona, Track #2
Steinway/Corona. There were double crossovers to the east that allowed
trains to use either Astoria or Corona line (the Main St
extension was built later on.) Looking also to the east
of the station, more skeletal remains of tracks than ran
from Astoria to Corona directly, from Astoria, the
tracks ran on the outer ends of the current Astoria
line, depress significantly, and curve over to the
Corona/Flushing line where it would elevate and join the
current IRT line. You can see more of these abandoned
tracks if you stand on street. Because of the platform
layouts, there was most likely a mezzanine, twice the
size as the current mezzanine. The 2nd Ave
el. was abandoned in 1942 and presented a problem at
Queensboro Plaza, where can trains go now, since at
least 2 tracks are no longer in use? It was later
determined to combine the BMT and IRT tracks in one set
of platforms. In 1949, the north platforms were
abandoned and the mezzanine was cut in half and
renovated. Before the current renovation , the
tiles showed evidence of a 1950’s or early 60’s retouch,
along with 1950’s exit slam gates. Over the years since
the 1949 downsizing, the station fell into disrepair,
broken glass on the lower level platform, and leaking
platform canopy on the upper level were prime examples.
After the 2002 in house renovation, the glass was
replaced, the mezzanine was redone, and even new
canopies on both overpass exits (one on the north side,
leading to couple of stores on the 2nd floor
of a private building, the south side was only stairs to
street.) were finally installed to protect customers
from the rain and other elements. There are 4 stairs
from lower to upper level and 4 stairs from lower level
to mezzanine. Access from mezzanine to either platform
is only available from the 2 western stairs in front of
the S/A booth. The 2 eastern stairs from lower level to
mezzanine are exit and are only closest to the north
bridge and arcade stores. The platforms are not aligned
together; the Upper level is about 150 feet west of the
lower level. Artwork: "Columns" by Sydney Cash (2000),
uses silk-screened glass panels, instead of ordinary
glass, installed on both sides of the lower level. Most
people who look at the glass design may not really
notice that it is artwork. Just inside fare control, are
the newest next train indicators, one for the #7 and the
other for the N/W lines. During rush hours when all 3
lines have frequent service, the buzzers are constantly
going off without any chance of letting up
________________________
LEXINGTON
AVENUE
59
STREET
Lexington Avenue/59th Street is discussed
on the complexes page
______________
5
AVENUE
59
STREET
5th Avenue 59th
Street (5th Ave at 60th Street)
Opened 8/1/1920: In house renovation, 2 tracks, 2 side
platforms, and 2 mezzanine areas. The renovation
not only finally gets rid of the 60’s refrigerator tile,
but preserves the original station name tablets.
Most of the local stations along the Broadway line
within the past 10 years, were renovated in this manner,
and shows how a mix of nostalgia with contemporary
design shows a true winner in station design. Full
time
side at north end by 60th Street has 3 street
stairs, one carved into the outer perimeter of Central
Park, other 2 staircases are across 5th Ave.
Replicas of BMT directional mosaics “QUEENS TRAINS” and
“BROOKLYN TRAINS” are found on full time side. Part
time side
at Central Park South, just by Plaza Hotel, has ghost
booth (closed in 2003), and 3 street stairs as well.
Each mezzanine has 1 stair to each platform.
Mosaics “5” “Fifth Ave” and the directional signs on
each platform, are fully preserved with new tiles
encircling around them. Artwork: “Urban
Oasis” by Ann Schaumburger (1997), uses glass mosaic
murals to depict a family of penguins, and reminds us of
our childhood days when we visited the nearby Central
Park Zoo. (I sure do remember being inside the mouth of
a whale statue at the zoo years ago!)
____________________
57
STREET
7 AVENUE
57th Street 7th
Avenue Opened 7/10/1919:
Express stop, 4 tracks, 2 island platforms, 2
mezzanines (no full length mezzanine was ever
constructed), it was renovated in-house in 1999.
This station sits outside Carnegie Hall, and has names
of legendary artists and actors/actresses who performed
in any capacity at the landmark building upstairs, one
name and the year of appearance at Carnegie Hall, is
shown on each tile. Full time mezzanine is at 57th
Street, Part time mezzanine is at 55th Street and
is closed nightly and Sunday until 2 PM. Each
mezzanine has 4 street stairs. The “57” mosaics on
both track walls is preserved and not covered. An
active tower is at the south end of the southbound
platform. Artwork (Untitled) by Josh Scharf (1993)
uses porcelain enamel to draw various artists who
performed at Carnegie Hall.
________________
49
STREET
49th Street (49th
Street and 7th Ave) Opened 7/10/1919:
Of all the renovation jobs that were done in the past 35
years, this station is clearly the best. Despite
the appearance of red brick throughout all of the walls
on both sides, the renovation took in the early 1970’s.
Local station, 4 tracks, 2 side platforms, and 2 fare
control areas on each side. Since all 4 fare
controls are at platform level, there is no crossover
allowed. Full time booth is on the downtown side on 49th
Street (at the north end), and feature 2 street stairs
for each side. The North bound side is wheelchair
accessible only, an elevator was constructed in
conjunction with a new office tower at the Northeast corner of
West 49th Street and 7th Ave,
therefore the north staircase was reconstructed to
conform to the building’s design. Behind the
elevator and rebuilt staircase is an out of system
underground passageway to Rockefeller Center and the
47-50th Street station of the IND
B/D/F/Orange
M, and former V
Sixth Ave lines. Of the 4 street entrances, only
the S/W corner (to Brooklyn-bound platform) retains the
1970’s red brick appearance. All of the other
entrances, including the 47th Street Part
time
exits, were reconstructed over the past 15 years.
Part time sides are at 47th Street and 7th
Ave, 1 street stairs on N/B side and HEET only access on
Sundays. False brick tiles were added sometime
after the renovation, these indicate a station facility
inside. The color of the added tiles is slightly
different from the brick tile used in the original
renovation. S/B side at 47th Street has
2 street stairs and HEET access on nights and weekends.
Other times not listed, both booths at the 47th
Street P/T side, are open. The exit to Broadway
and West 47th Street, through a small
passageway is an addition and not part of
the original station, or the renovation.
_______________
42 STREET
TIMES SQUARE
42nd Street is discussed
on the complexes page
______________
34
STREET
34th Street Herald
Square is discussed on the
complexes page
______________
28
STREET
28th Street
(28th Street and Broadway)
Opened 4/14/1918:
Local stop, 2 tracks on 2
side platforms, there may have been a crossunder at this
station outside fare control, there is no evidence
. Renovated in 2001 by NYCT's in-house forces,
the station restores the "28" mosaics and station name
tablets to its original BRT splendor. Each
mezzanine at platform level has 2 street stairs, and
false walls at both side at the north end of each
platform show the platform extended about 10 feet.
In the next 4 stations from here to Prince Street, there
is a mini-IND style tile band running at the bottom of
the platform wall (instead on the top where most IND
stations are like that.), the color for this band
is brown with blue borders. "Mark Hadjipateras .City Dwellers (for
Costas and Maro), 2002. Glass mosaic on platform
walls. The Toy Center and the Flatiron Building are
located near the subway station at 28th Street and
Broadway, as are the flower, fur, and garment districts.
Each of these areas inspired artist Mark Hadjipateras,
whose glass mosaics are rendered in a playful
cartoon-like style. City Dwellers animates the
walls of the station with a series of robot-like
creatures. The figures are joyous and fanciful, but
closer examination reveals universal symbols and forms
that reflect the neighborhood and its history -
technology, toys, and commerce. These inventions invite
riders to guess at their meanings; while they may seem
familiar, the artist holds the key. In his proposal,
Hadjipateras cited some of his plentiful sources: plants
and flowers, patterns based on national flags, Greek
ethnic garb, a family, New York taxis, radio broadcast
waves, etc. Filtered through the artist's sensibility,
the result is a unique and compelling station
environment."
______________
23
STREET
23rd Street
(23rd Street and Broadway/5th Ave
"Madison Square") opened
4/14/1918: Local
stop with 4 tracks and 2 side platforms. Renovated
and restored to the 1918 BRT splendor by NYCT in-house
in 2001. If you noticed why the platform level
mezzanines are much larger than most stations, it's
because when the station opened in 1918, it
served Madison Square Garden II (named after the
intersection), one block to the east, the fare control
had to be large enough to accommodate crowds there.
(The first two MSG venues were located on Madison Ave
near East 24th Street.). There is a sealed
crossunder inside fare control, it was closed for safety
reasons. There are 4 street stairs on the N/B side
and 2 street stairs on the South bound side. Each side
also has HEET access to East 22nd St and
Broadway. The historic Flatiron building, the city's
first skyscraper building, is outside the South
bound exits.
Tile band is beige, while the artwork features many hats
from the 19th and 20th
centuries. Neighborhood maps show this area
as the Ladies Mile where at one time large
manufacturing bases of hat producing factories were
concentrated in this area.
________________
14
STREET
UNION SQUARE
14th Street Union Square
is discussed on the
complexes page
______________
8
STREET
8th Street
(8th street and Broadway)
opened 4/14/1918:
Local stop, 4 tracks on 2 side
platforms. Platform level mezzanines are at 8th
Street with 2 street stairs on N/B side and 4 street
stairs on S/B side. Additional HEET access and
ghost booths at south end of this station. Brown
stripe on tile band and artwork features people (a man
wearing an I Love NY t-shirt, for example) and places
around Greenwich Village, East Village, NY University
and Washington Square Park. ".Timothy Snell. Broadway Diary,
2002. Glass mosaic on platform walls. Commenting on his
work, artist Timothy Snell says, "The mosaic is composed
of 40 'portholes' that depict scenes and historic sites
of the neighborhood (Grace Church, Washington Arch,
Cooper Union, Astor Place, the vista of Broadway). ...
The loose gestural rendering and free use of color with
simplified imagery injects a light moment in the hectic
schedule of the commuter passing through the station.
... Spreading the elements around the station in an
architectural format ... integrates the artwork with the
space ... This provides moments of diversion at various
locations for people waiting and small surprises for
repeat travelers in transit through this station. The
repeat of elements like the cyclist through a series of
panels in a loose use of line and color was a device to
add motion and allow more abstract considerations to
enter into the work with the hook of recognizable
subject matter."
_______________
PRINCE STREET
Prince Street
(Prince
Street and Broadway)
Opened 4/14/1918:
Local stop, 4 tracks and 2 side
platforms. There is only one fare control to each
side and the tile band is green with blue borders.
Artwork: "Carrying On", by Janet Zweig (2004), uses
water jet-cut steel, marble, and slate to create a mural
along then entire length of both platforms, for a total
of 1,200' in length. The 194 different frames in
this frieze detail, contain images of New Yorkers from
all walks of life. As the title suggests, almost
all of the images involve "carrying something", a
shopping cart, purse, bags, etc. This is something
to remind ourselves that even with the aftermath of
9/11, we always carry on with our lives and go about our
business.
_______________
CANAL
STREET
Canal Street is discussed on the
complexes page
______________
CITY HALL
City Hall
(Broadway at east side of City Hall Park, by Murray
Street)
Opened 4/14/1918:
Noteworthy for being only one of 2
single island platform stations to have the fare control
area on the same level as the platform, the other
station is 110th Street/Central Park North on the IRT
2/3 lines. You can double back in the opposite
direction, as long at you go around the fare control
area. The BMT mosaic is (you guessed it), City
Hall on the platform walls, along with platform
extensions on the south end. There is a ghost
booth and sealed entrance on the south end, it led to
the Woolworth building. There are 3 street stairs,
only one is open during late night hours. Facing
the S/B side are 2 staircases to the disused Lower level
platform, which has 3 tracks and 2 island platforms.
The staircases only lead to the west platform (due
south) and no staircases were ever built on the east
platform, it was originally planned by the BRT as a
terminal for express trains from Uptown here. This
area is only used for storing W and some R trains.
The lower level tunnel continues south of this station,
no track here, to an unknown area. Back on the
active upper level, a master tower that controls train
movements up and down the entire BMT Broadway line in
Manhattan, is at the north end.
____________________
CORTLANDT
STREET
Cortlandt Street
(Cortlandt
Street and Church Street)
opened
4/14/1918: 2
tracks on 2 side platforms.
This station
has connections to the PATH World Trade Center Station, and is a survivor
of the 9/11 attack of the Twin Towers (which were
directly upstairs from this station.) It was
renovated in 1998 by NYCT's in house forces and actually
restores the original look of the station, including
preservation of all directional name tablets on both
sides. The presence of the restored "To Hudson
Tubes" and "to Downtown/Hudson Tubes", proves that NYCT
is committed to preserve the original components of
future station renovations whenever possible. The
Hudson Tubes was the predecessor to today's
PATH system, and
operated a terminal station underneath the Hudson
Terminal building near the same location at the current
WTC station. Current layout has 4 fare control areas, of
which 2 are on each side. The Full time areas are at Dey
Street at the north end with an underpass outside fare
control that also leads to a lower level with artwork.
The artwork is titled "Trade, Treasures and Travel
(1997) by Marguie Hught, she uses ceramic to display
several wall sized images, The South bound area has
direct indoor access to PATH World Trade Center, as well as the
World Trade Center
E station. (An
extra fare is required to use either service, use
Times Square for
transfers between the E
and R/W trains instead.). The South
bound platform is also
ADA accessible via. ramp from PATH WTC station and PATH
elevator from street level, there is no disabled access
to the North bound platform in any form. The
Part time areas are to the south end at Cortlandt Street, the
North side has 1 street stair and exit to an adjacent
office building, while the South bound side has only 1 street
stair, ghost both (removed in 2003), and 24/7 HEET
access. The part time booth on the North side is
also closed..
________________
RECTOR
STREET
Rector Street
(Rector
Street and Trinity Place)
opened
4/14/1918:
2 tracks on 2 side platforms, no crossunder
or crossover here. The station suffers from a lack
of identity, as it is now the only BMT station in
Manhattan to have the dreaded 60's refrigerator tile, it
is blue. All the other BMT local stations in
Manhattan are either renovated or restored stations
Full time side on downtown side at Rector Street, Northbound side has 3
street stairs and Southbound side has 4 street stairs.
The staircases themselves look skeletal, it appears that
much of the Dual Contracts footprints were removed but
never replaced, like the shell for instance.
Another exit only staircase is on the Southbound side, about
midway through this station. On the Northbound side, a
newly constructed HEET only entrance/exit is at the far
south end and leads to Morris and Greenwich Streets.
Standing on the Southbound platform, to the left of fare
control, you can see the remains on the
original BMT mosaics and where the platform originally
started, along with the original station name tablet
exposed, this area is not part of the station that is
publicly accessible. There is an original Rector Street
at the far north end of the public space within the
uptown platform along with an odd looking blue tile
wall. The mosaic on both fare control areas is "R" for
Rector St, and serves Trinity Church .The original
Columbia University was founded in the same location as
Trinity Church before the relocation uptown.
________________________
WHITEHALL
STREET
Whitehall Street
is discussed on the
complexes page
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